As a queer writer of speculative fiction, I'm thrilled that the Outer Alliance has started. If you agree with our mission statement, think about joining!
So far, there's only one queer character in my published fiction, the prince from Scatter and Return, the Eyes of the Princess, which appeared last November in Fantasy Magazine. Here's a snippet featuring him:
“Ah, an emissary from my sister,” the prince said. “And what an interesting emissary. Tell me, is she also building an army of clockwork soldiers?”
“I have not seen nor heard her speak of any such project, Your Highness,” the golem said. It was quite uncertain about the proper etiquette in this situation.
The prince laughed. He was lounging on a couch and taking occasional sips from a long, slender glass. “There’s no need for that,” the prince declared. “Besides, the only title I accept is Fabulous.” He paused and waggled his eyebrows at the golem, who remained silent. The prince sighed. “So,” he said, apparently bored, “what tidings do you bring me from my one and only sibling?”
“Well, Your Fabulousness—”
The prince burst out laughing. “Oh, that’s marvelous. But please: refrain in the future or I will never be able to sit through your message without falling off this couch.”
“But what should I call you?”
“Call me Opal. I am dazzling and changeable enough, no?” Again, a beat of silence. Again, the prince sighed. “Look at me, fishing for compliments from animated clay. You’d better convey your message before I embarrass myself any further.”
2. I haven't gotten the chance to read any of their stories yet, but I love the idea of Labyrinth Inhabitant Magazine:
Labyrinth Inhabitant Magazine is looking to publish well-written fiction dealing with characters who find themselves trapped in ancient, labyrinthine and/or baffling artificial environments... The central characters should live (at least for the time being) in some kind of artificial structure that they don't fully understand and which they find difficult or impossible to escape.
3. I like alternate histories, but one thing that always annoys me is the frequent assumption that technological changes and scientific discoveries happen on some kind of pre-determined timeline, as if cultural and philosophical structures have no influence on them. But of course, in looking at different real world cultures, we see that not everyone developed technology in the same order or applied technologies in the same way. I'd really like to read more alternate histories that explore how technology might develop differently if major historical events had been different. You know, in the way that architecture reflects the values and assumptions of a culture--so the way machines and vehicles and methods of production are designed also reflects those things (and in turn shapes them), but also what even occurs to people as useful and valuable and acceptable is constrained by culture and philosophy.
I definitely feel a little bit self-conscious, so be nice.
The Frozen One by Tim Pratt
I love the mix of humor and darkness in this story, and the way it plays with tropes.
Angry Rose's Lament by Cat Rambo
In this story, I liked the recovering addict protagonist, the fictional drug Stardrift, and the intriguing alien race.
Up in the Air by Richard Larson
Personally, I almost always find zombies to be dreadfully boring. But the way this story uses them is great! And I've definitely got a soft spot for queer fiction. (Another excellent, innovative zombie story is "The Horlak" by Kelly Link.)
Until Forgiveness Comes by K. Tempest Bradford
At the beginning of this story, I thought the use of the style and format of a public radio show was clever and interesting. By the end, I was very moved.
Sea Changes by Erica L. Satifka
I want to spend more time in the world of this story.
And one story I read in a physical book:
"The Boy Who Didn't Yearn" by Margo Lanagan, from White Time
Willow Fagan introduces us to fairy tale royalty who may in actuality be a modern dysfunctional family in “Scatter and Return, the Eyes of the Princess.” The king believes himself to be a vampire and visits his daughter each night to drink her blood...
At its core, this is a story of abuse and denial. This is not my favorite subject matter, but it is treated respectfully and the story is artfully crafted. Fagan keeps the reader slightly off balance as the tale moves back and forth between a dreary, sullied reality and the disorienting unreality of dark fantasy, or perhaps nightmare.
Henderson weaves a dark tapestry of bleak prospects and powerful, unknowable forces that may or may not wish the narrator ill. Inky shadows nest in his childhood sock drawer while raucous voices call to him from the tree line and from within his mind. Evocative imagery and nods to Greco-Roman mythology lend a fatalistic air to this well-written, atmospheric piece.
Fantasy Magazine has been encouraging readers to comment more on the stories they publish. As a writer, I fully support this--getting feedback on my stories is like being offered delicious food by kind strangers. So, if you haven't checked out these stories yet, click on over and feel free to share your thoughts.
As a reader, the most satisfying stories for me are often those that manage to... place conventions at the service of the unexpected. As a writer, my own creative process is often a dialectic between the raw power of convention to shape a story on the one hand, and my reaction to those conventions on the other, which often means wanting to tear them apart and reassemble them.
My feelings are very similar to hers--I too often want to write stories that subvert expectations and turn tropes on their head. I've felt a vague sense of guilt about this, as if I should be writing wholly original stories instead of referring to what has come before. Which is, of course, an impossible ideal. As Judith Berman also says, wisely, "Conventions, in other words, are not in and of themselves the enemy of literary value (howsoever that may be assigned) any more than the rules of English syntax and semantics are the enemy of comprehensible speech." This reminds me of something else that I've read (I'm not sure exactly where) that described genres as ongoing conversations. So, in that spirit, what do you think? How do you respond to these quotes and ideas, these tensions?
This story reminded me of Ursula K. Le Guin's work, both because of the clean, elegant style of the prose and the clear influence of anthropology.
Delightfully strange and poetic. Very inventive secondary world.
The Stone-Hearted Queen by Kelly Barnhill, from Issue 3 of Weird Tales which you can download here.
Mythic. Bittersweet. With a powerful ending.
This story has very much the flavor of a classic comic book: a colorful band of characters with different powers engaged on an epic quest. For me, it also had some of the problems of comic books, most notably some moments of clumsy exposition. But it's engagingly quirky, with a great sense of humor, and the ending hits that fabled sweet spot of unexpected yet perfectly suited.
By the beginning of the 1990s, American genre literature of the fantastic had become, through films, a popular and acceptable mainstream mode with an enormous and enthusiastic following among younger Americans of both sexes... [A] substantial of younger people in English-speaking countries no longer read realistic fiction... [T]he chasm between older and younger audiences was absolute. This is a huge gap in reader sensibility that critics of high literature and mass culture alike still do not take into account, failing to recognize that for a very large and intelligent audience science fiction, horror, and fantasy are not a failure to acquire culture but a deliberate aesthetic choice. To most of these young people, the doors of the treasure house of realist literature, a realm they perceive as one of stale and precious autobiographical journalism, are closed.
My question for you is, how accurate do you think this paragraph is?
Sculpting the Chaos of Trauma into Narratives of Change
a workshop presented by Willow Aerin Fagan
2pm, November 23rd
Kalamazoo Peace Center
First presented at the 2007 Allied Media Conference, this workshop will offer a supportive, confidential space in which participants can reflect on their own experiences of trauma and oppression and on the power of narratives in creating change. The workshop will have several different stages. First, the presenter will use a collage of quotes and excerpts from stories to simultaneously provide a framework of understanding and to illustrate the community of survivors, thinkers and storytellers who stand behind us and with us in this work. Trauma will be approached as a disruption of the narrative flow from past to present to future. From there, the role of discovering / creating / reconstructing narrative in healing and creating change will be explored. The connections between individual experiences of trauma and broader social forces/systemic structures will be emphasized.
( Read more... )
But the weird thing is "Scatter and Return, the Eyes of the Princess" hasn't been published yet. I thought for a second, wait, I couldn't have missed it being published, could I? But a quick Google search confirmed that, no, it's not yet been published. That leaves only one conclusion: Rich Horton wrote his summary from the future!
Okay, okay, so he probably just had access to the accepted-but-not-yet-published stories. There's a few other stories in the summary that fit into that category. Based on Horton's quick summary, I'm especially looking forward to reading "Geddarien". In the future!
